ORCHESTRAL
Uncanny Valley (2014) 11’
FOR LARGE ORCHESTRA
Eric, rising (2012) 8’
for full orchestra + oboe d’amore solo
Audiendum Extimate (“I hear it now more and more distinctly…”) (2013) 10’
for string orchestra + live electronics
commissioned by Indiana Youth Musicians
Caleb Young, Music Director and Conductor
Bifurcations for Harp + Orchestra (2006) 7’
for solo harp + full orchestra
Of petals, ripe-blown and silkily smooth (2005-2007) 55’
cantata for chorus, SSATB soloists, chamber orchestra, electronics and video
CHAMBER
Uberrima Fides (2015) 7’
FOR ALTO FLUTE, BASS CLARINET, VIOLIN, CELLO, AND PIANO
The Fiction of Time Destroyed (2015) 9’
FOR ALTO FLUTE, BASS CLARINET, CELLO, AND ELECTRONICS
Motherless Home — 1929 (2015) 3’
FOR CLARINET QUARTET AND CHORUS
commissioned by the Novacane Quartet
Amnesty (2014) 5’
FOR ENSEMBLE, FILM + ELECTRONIC SOUNDTRACK
We’ll Be Listening To You (2013) 11’
FOR 14 PLAYERS + LIVE, INTERACTIVE ELECTRONICS
Panopticon (2013) 7’
FOR 12 PERIPHONICALLY SPATIALIZED CLARINETS
Like sleeping giants, hardly breathing (2013) 9’
FOR TROMBONE QUARTET
Recompense Revisited (2013) 4’
FOR OCTET OF OBOE, BASSOON, HORN, TRUMPET, VIOLIN, VIOLA, CELLO, DOUBLE BASS
(sequel to Recompense for Persephone)
Wreaths of Violet (2013) 7’
FOR FLUTE, B-FLAT CLARINET, PERCUSSION, HARP, VIOLIN, CELLO + film
(duplicated below under “Stage, Film & Commercial”)
Recompense for Persephone (2011) 7’
PIANO, HARP, 2 VIOLINS, 2 VIOLAS, 4 CELLOS, VIBRAPHONE + MARIMBA
(after the original version for live electronics)
冥紙 Ming Zhi (“Ghost Money”) (2010) 14’
FOR 2 GLOCKENSPIELS + HARP
The Fields at Abacoa (2004, rev. 2005) 15’
for saxophone quartet
Concavity II: Real Big Business (2005) 10’
graphic score improvisation for ensemble of variable size
published in Tonality and Design in Music Theory by Earl Henry, Prentice Hall, 2005
No Baby Ruminations (In Memoriam Steve Lacy) (2004) 20’
for free improvising jazz ensemble of variable size
Commissioned by Michael Parkinson for the International Summer Jazz Academy Big Band
ELECTRONICS
Travertine Hybrid #3 (2014) 7’
FOR VIOLIN + LIVE, INTERACTIVE ELECTRONICS
Giffen Good (2014) 10’
FOR TROMBONE + LIVE, INTERACTIVE ELECTRONICS
Les passages interdits (2013) 10’
for live video tracking, resonant synthesis + interactive 4-channel surround sound
Grand Sepia Taksim (2013) 10’
for belly dancer + live, interactive electronics (Arduino-based sensors + MaxMSP)
Euclidean Dominant (2013, fixed media) 5’
for Arduino-based sensors, MaxMSP, and Ableton Live
初生態 Chu Sheng Tai (“Nascent States”) (2012) 10’
for E-flat sopranino saxophone with live electronics in MaxMSP
多寶格方匣 Duo Bao Ge Fang Xia (“Curio Box”) (2012) 18’
for South Indian kanjira solo with live analysis/resynthesis in MaxMSP
Recompense for Persephone (2011, fixed media) 7’
spectral analysis + resynthesis in MaxMSP
Zhongxiao Dunhua (2009, fixed media) 7’
for 4-channel granular audio
31-Tone Impromptus for Samplers (2005, fixed media) 5’
improvisations for 31-tone equal-tempered synthesizer
I Am Not Virginia (2004, fixed media) 14’
tone poem for soprano saxophone, harp, piano + samplers
CHORAL
Vanishing Points (2012) 5’
for chorus + multi-percussion
(texts in Chinese by LaoTzu with IPA and pinyin translations)
VOCAL
Songs on Superstrings (2005) 13’
for mezzo soprano + organ
texts by Thomas Borger
This I Hope Will Be Our Wisdom (2005) 14’
for mezzo soprano + soprano saxophone
texts by Thomas Jefferson + Benjamin Franklin
Three Verses from ‘Song of the Open Road’ (2003, rev. 2004) 9’
FOR MEDIUM HIGH VOICE + PIANO
texts by Walt Whitman
SOLO OR DUO
Four Possible Coceks (2014) 7’
FOR TWO TRUMPETS
Travertine Hybrid #1 (2012) 4’
for viola
Travertine Hybrid #2 (2012) 2’
FOR cello
地獄的錢 Di Yu de Qian (“Hell Money”) (2010) 16’
for piano
STAGE, FILM + COMMERCIAL
Wreaths of Violet (2013) 7’
for flute, B-flat clarinet, percussion, harp, violin + cello
score to the film by Austin Criner
Screwstrippers: A New Musical About the Drilling Impaired (2002) 2 ½ hours
musical comedy in 2 acts; book by Thomas Borger, music & lyrics by Louis Goldford
Heckman: The Economics of Human Potential (2009) 10’
music for documentary series about Nobel-winning economist James Heckman
produced by See3 Communications, Chicago: http://www.heckmanequation.org