Louis Goldford // composer

composer // saxophonist // electronics

Menu

Skip to content
  • Home
  • About
    • Bio
    • Résumé/CV
  • Works
    • Orchestral
      • Uncanny Valley (2014)
      • Eric, Rising (2012)
      • Of petals, ripe-blown and silkily smooth (2005-2007)
      • Bifurcations (2006)
    • Electronics
      • Au-dessus du carrelage de givre (2019)
      • The Fiction of Time Destroyed (2015)
      • Travertine Hybrid #3 (2014)
      • Giffen Good (2014)
      • Les passages interdits (2013)
      • Grand Sepia Taksim (2013)
      • 多寶格方匣 Duo Bao Ge Fang Xia (“Curio Box”) (2012)
      • Euclidean Dominant (2013)
      • 初生態 Chu Sheng Tai (“Nascent States”) (2012)
    • Chamber
      • Tell Me, How Is It That I Poisoned Your Soup? (2019)
      • Audiendum Extimate (2018)
      • burrow..down..to..dust.. (2017)
      • Mémoire Involontaire (2017)
      • Uberrima Fides (2015)
      • The Fiction of Time Destroyed (2015)
      • Motherless Home — 1929 (2015)
      • Panopticon (2013)
      • Like sleeping giants, hardly breathing (2013)
      • Wreaths of Violet (2013)
      • Recompense for Persephone (2011)
      • Amnesty (2014)
      • We’ll Be Listening To You (2013)
      • 冥紙 Ming Zhi (“Ghost Money”) (2010)
      • No Baby Ruminations (2004)
    • Choral
      • Vanishing Points (2012)
      • Of petals, ripe-blown and silkily smooth (2005-2007)
    • Solo or Duo
      • Shifting Signifier (2017)
      • Four Possible Coceks (2014)
      • 地獄的錢 Di Yu de Qian (“Hell Money”) (2010)
      • Travertine Hybrid #1 (2012)
      • Travertine Hybrid #2 (2013)
  • Listen/Watch
    • [hover over ‘WORKS’ (left) to hear/see individual pieces]
    • Perusal Scores @Issuu
    • Louis on Soundcloud
    • Louis on Vimeo
    • Louis on Instagram
    • Flâneur Daguerre
    • Jazz in Taiwan
  • Contact

Tag contemporary

Travertine Hybrid #3 @NYCEMF
Travertine Hybrid #3 Accepted to N_SEME!
NME rehearses ‘We’ll Be Listening To You’
New multimedia opera in the works
Près de la cable
Louis @ Composit New Music Festival
Nascent States @ SICPP!
Grand Sepia @ NYCEMF
New recording of ‘Amnesty’
Grand Sepia Taksim @ SEAMUS Nat’l Conference!
New surround recording of ‘Panopticon’ out soon!
+

Recent Posts

  • Returning to IRCAM as Fulbright Fellow
  • burrow..down..to..dust..
  • ‘Audiendum Extimate’ Premiere in Brooklyn
  • ‘Uberrima Fides’ in Brooklyn
  • ‘Mémoire Involontaire’ Recording

Archives

  • March 2018
  • November 2017
  • September 2017
  • March 2017
  • February 2017
  • January 2017
  • October 2016
  • June 2016
  • March 2016
  • January 2016
  • December 2015
  • November 2015
  • September 2015
  • August 2015
  • July 2015
  • June 2015
  • April 2015
  • March 2015
  • January 2015
  • November 2014
  • October 2014
  • August 2014
  • July 2014
  • June 2014
  • April 2014
  • March 2014
  • December 2013

Categories

  • In the Moment
  • Uncategorized

Meta

  • Register
  • Log in
  • Entries feed
  • Comments feed
  • WordPress.com

Recent Posts

  • Returning to IRCAM as Fulbright Fellow
  • burrow..down..to..dust..
  • ‘Audiendum Extimate’ Premiere in Brooklyn
  • ‘Uberrima Fides’ in Brooklyn
  • ‘Mémoire Involontaire’ Recording

Archives

  • March 2018
  • November 2017
  • September 2017
  • March 2017
  • February 2017
  • January 2017
  • October 2016
  • June 2016
  • March 2016
  • January 2016
  • December 2015
  • November 2015
  • September 2015
  • August 2015
  • July 2015
  • June 2015
  • April 2015
  • March 2015
  • January 2015
  • November 2014
  • October 2014
  • August 2014
  • July 2014
  • June 2014
  • April 2014
  • March 2014
  • December 2013

Categories

  • In the Moment
  • Uncategorized

Meta

  • Register
  • Log in
  • Entries feed
  • Comments feed
  • WordPress.com
Blog at WordPress.com.
Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy